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Introduction to the course of Directing and Writing for Broadcasting

2013-06-18

Introduction to Art
Preparatory Courses: Nil
Nature of the course: foundation course
Main content: This course discusses the basic theory of general art reveals the universal laws of art. Including Art Essence of the category of art theory, art development theory, theory of artistic creation, works of art theory and art of acceptance theory. Through teaching, and strive to make students more systematic than comprehensive grasp of the basic principles of art especially Marxism on the basic principles of art, and establish a correct view of art, to grasp the objective laws of artistic creation, more consciously engaged in artistic activities for the future lay a solid foundation.
Textbook: "Introduction to Art" edited by Wang Jian, Culture and Arts Publishing House in 2000
Bibliography: aesthetics fifteen speakers "Ling Jiyao with, Peking University Press, 2003
New literary psychology "Zhou Guansheng editor, Shanghai Literature and Art Publishing House, 1995

History of broadcasting and TV
Preparatory Courses: Nil
Nature of the course: foundation course
Main content: This course covers the history of world broadcasting and TV. Focus on the characteristics of the tech as well as the programs, economy and society on broadcasting and TV, which is to educate the students on the fundamentals on broadcasting. The course would open the students mind to conceive and analysis as the base for their broadcasting and TV career. The course contains the TV tech, Media, TV net construction, TV net system, development of genre programs, social culture influence and innovation and trends, etc.   
Textbook: The history of Chinese and foreign broadcasting and TV, Guo Zhenzhi, Fudan University Press,2005
Bibliography: Basic theory on history of Chinese broadcasting and TV, Ai Honghong, Shandong University Press, 2002
General theory on contemporary broadcasting and TV, Lu Ye, Zhao Ming, Fudan University Press,2002
General history of Chinese broadcasting and TV, Zhao Yuming, Beijing Broadcasting Institute Press, 2004
World television frontier 1-3, Wang Wenbin, Hu Zhengrong, Huayi Press, 2001

Film and television production workflow
Preparatory Courses: Nil
Nature of the course: foundation course
Main content: This course covers conversion from the story into the process and steps of dynamic images. Focuses on sub-footage art and design skills, through examples and practical filmmaking information about decomposition. Learning through the curriculum, as well as through the simple practice to make the students familiar with the general rules of the film industry and industry guidelines to provide some experience and infrastructure for future employment.
Textbook: (U.S.), "from the text to the image - the sub-lens screen design and film production process," Berger Wright's book, Ho Yu translation, People's Posts and Telecommunications Press 2012
Bibliography: mise: the image of the movement "(United States) Katz forward, Chen Yang translated, World Book Publishing Company in 2011
"Before the shooting: storyboard art" (United States) John Hart book, Liang Ming, Song Lichen translation, World Publishing Company in 2010

Performances Fundamental
Preparatory Courses: Nil
Nature of the course: foundation course
Main content: This course focuses advance of performances for students and lay the basis, first met the basic characteristics of the performing arts, learn to observe the lives of experience analysis; master the basic performance elements: relaxation, attention, concentration, imagination, observation of life, attitude; mastered organizations stage method of action, to know how to make use of the composite action shaping the character and artistic creation law. Train students from the beginning of the exposure to the arts recognize life concerns, analysis of the importance of life and even the performance of life, so that students master the performance skills of the director of professional skills constitute one preliminary.
Textbook: self
Bibliography: "Introduction to drama performances Tao Ye, forward, Chinese drama 1987

Picture photography
Preparatory Courses: Nil
The course nature: Major courses
Main content: This course is a photography foundation course, students train and practice a variety of basic technology of photography, such as: the optical performance of the lens, the structure of the digital camera, exposure techniques, control, etc., through the course of learning, so that students proficiency in a variety of photographic techniques to complete the complex design of light and exposure control.
Textbook: photography: images of artistic creation foundation Bigen Hui, Beijing Normal University Press, 2007
References: "The creation of the image: Beijing Film Academy picture photography teaching system (full color) Lin Tao, Electronic Industry Press, 2012
New York Institute of Photography photographic materials (upper and lower volumes) compiled the New York Institute of Photography, Photographs of China Press, 2010

Film visual design
Requisites: Picture photography, lighting, basic film editing
The course nature: Major courses
Main content: to make students master the basic use of professional-grade digital TV camera operation (emphasis manual exposure and manual, with coke exercises), and the shooting of the TV cameras creative method; the systematic elaboration mainstream film in the creation of visual creation and aesthetic practices, taking into account the experimental film aesthetic attempt. Through the course of learning, to enable students to grasp the dynamic of world cinema in the development of the visual aspects of master basic rules and methods of film-making, based on the creation of the film and television photography practice.
Textbook: Cinematography Art "(revised edition) the Zheng Guoen book, Communication University of China Press
Bibliography: cinematography painting "Zhang Huijun forward, China Film Press
Gu Xin forward, camera and image creation, the Shanghai People's Fine Arts Publishing House, 2010

Film editing
Requisites: photography courses
The course nature: Major courses
Main content: this course in four important historical period has experienced a brief description of the development of film and television clips, and clip art aesthetic concepts change at the same time, forms the basis of an audio-visual language - "montage", and skills constitute the basis - - "action clips morphology" as the core, in-depth analysis of research on the basis of "language" and "clip element" corresponding to modernism and postmodernism, two kinds of clip morphology examined in detail - "emotional clip" and "philosophy clips "evolutionary breakthrough techniques of traditional skills. Focus on the one hand, in the teaching taught basic video editing and clip art, the process of the evolution of the concept of creation, as well as each of the basic characteristics of the process; the other hand, teaches professional editing software use skills, column and combined with the actual movie case analysis, which particular action form the basic editing principles and skills, emotional shape clip "and" philosophy morphology clip "feature and blend together in the morphology of the unite in the basic style of the TV program.
Textbook: film and television clips learn Fu Zhengyi, Communication University of China Press, 2002
Bibliography: film language syntax "(Uruguay) Danny Al Ali Hong forward, China Film Press, 1981
Gary Anderson (U.S.) book, television editing and post-production, China Film Press, 1993
"TV screen editing Ho Su six forward, China Radio and Television Press, 1997

Film sound
Requisites: audio-visual language
The course nature: foundation course
Main content: With the rapid development of the technology of film and television production, digitization has entered various fields of film and television production. This course focuses on the creation and production of film and television sound through the study and practice of the course, to understand the characteristics of the production of film and television sound authoring tools and equipment, master film sound production technology and techniques to improve the quality of the sound production of the students development of independent film and television sound works, so that students can use their weapons - recording equipment to create the ideal television sound works.
Textbook: "digital video and audio production () Holman book, People's Posts and Telecommunications Press 2009
Bibliography: Sun Xin, film and television over the same period recording forward, China Film Press, 1999
"Screen reproduction - dialogue with contemporary Chinese film sound recordist," Yao Guoqiang forward, published by China Film 2005
Film and television sound post-production (British) Hilary Wyatt Tim Amyes, 2010 edition of the People's Posts and Telecommunications Press

Film aesthetics
Preparatory Courses: Nil
Nature of the course: foundation course
Main elements: on the connotation of the film and television artistic beauty, nature and film language, film and television art aesthetic characteristics; analysis of the history of film and television arts representative thought and aesthetic, philosophical thoughts relationship; study film aesthetic, psychological characteristics of the individual and the community. To deliberate on some of the controversial film and television work, the use of aesthetic theory. Through the teaching of this course, students a deeper understanding of the film and television media, to establish the correct film aesthetics, expanding the perception of film and television media and the ability to grasp.
Textbook: "film aesthetics tutorial" History can be sowed, Beijing Normal University Press, 2005
Bibliography: "Television aesthetics Peng Jixiang forward, Peking University Press, 2002
"Introduction to Television aesthetics saver book, Shanghai University Press, 2001
Television aesthetics Series book Huang Huilin, Beijing Normal University Press, 2000
"Aesthetic principle newly" Yang Xin, Ganlin book, Peking University Press, 2003

News interview and writing
Requisites: Nil
The course nature: foundation course
Main content: This course covers the history and theory on TV reports, the systematization and characteristics of TV news, secondary-effect and value standard of news, the relation between TV reports and audience, news editing and media effects, the interview method and skills, the keys for different types of news writing. The course aims to improve the students’ sense of news and capacity of communication. And train the students to get the facts from daily life for prompt reports and the ability of interview and writing, which is the basic skill for TV reporters.
Textbook: Interview and writing on TV report, Zhao Shuping, China radio and television Press, 1997
Bibliography: A century of news classics, Yan Xiong, Hunan University Press, 2000
Methodology on news interview, Ai Feng, People’s Daily Press, 1996
Theory TV journalism, Huang Kuangyu, Zhongshan University, 1996
Reporting and writing, Melvin Mencher, China radio and television Press, 1981
Key on journalism, Li Guangxi, Nanfang daily Press, 2002
Journalism psychology, Zhang Junde, Liu Haigui, Fudan University Press, 1998

Professional English
Preparatory Courses: Nil
Nature of the course: foundation course
Main content: This course focuses on the English based professional filmmaking. From our professional film production reality, with reference to the paradigm of Hollywood film production, script, etc., is the students mentioning collected from the movie preparatory shooting stages, post-production, distribution and screening the whole process of professional English. Of this course, the students were able to master the professional filmmaking English.
Textbook: "Film Professional English" Zhang Renfeng, Yu Jianhong forward the China Film Press, 2010
References: "New Oriental • affect your life 47 movie" New Oriental English editorial department compiled, Beijing Language and Culture University Press, 2011
"University English English film the audiovisual said Xu Zhiying Deng fir, Zhao Rong forward to expanding series of tutorials • Foreign Language Teaching and Research Press, 2009

Writing elements
Preparatory Courses: Nil
Nature of the course: foundation course
Main content: the main content of this course is the basic theory and basic skills instruction and training television drama script writing. Teaching content, including the composition and type of Television Drama stories, ideas and creativity; concept of action in the television drama script, action and plot, character relationships; characteristics and type of suspense, suspense settings and delays, suspense and plot, and ending relations; discovered with the sudden turn of the characteristics and type of use found with the sudden turn in the script writing. Dramatic context; the Television Drama situations constitute a general situational distinction with dramatic situations, the Television Drama context of ideas and creativity; characteristics and structure of the relationship between the characters in the drama in the film and television works, the relationship between the characters and the plot, scenes relationship ; role, detail with the plot of the operation of the language, and type, the details of the relationship. Through classroom teaching, the idea of guidance, student jobs and job commenting, to enable students to understand and master the basic law of the script writing, initially with the ability of writing scripts.
Textbook: "screenwriter Theory and Techniques" Gu Zhongyi, Chinese Drama Publishing 1981
Bibliography: drama and the movie plays Theory and Techniques "(United States), John Howard Lawson forward, China Film Press, 1962
Drama skills "(United States), George Baker book, Chinese Drama Publishing 1985
"Story" (U.S.) of Robert McKee forward, China Film Press, 2001 

Film writing
Preparatory Courses: Nil
Nature of the course: foundation course
Main content: the main content of this course is the basic theory and basic skills instruction and training television drama script writing. Teaching content, including the composition and type of Television Drama stories, ideas and creativity; concept of action in the television drama script, action and plot, character relationships; characteristics and type of suspense, suspense settings and delays, suspense and plot, and ending relations; discovered with the sudden turn of the characteristics and type of use found with the sudden turn in the script writing. Dramatic context; the Television Drama situations constitute a general situational distinction with dramatic situations, the Television Drama context of ideas and creativity; characteristics and structure of the relationship between the characters in the drama in the film and television works, the relationship between the characters and the plot, scenes relationship ; role, detail with the plot of the operation of the language, and type, the details of the relationship.
Textbook: "screenwriter Theory and Techniques" Gu Zhongyi, Chinese Drama Publishing 1981
Bibliography: drama and the movie plays Theory and Techniques "(United States), John Howard Lawson forward, China Film Press, 1962
Drama skills "(United States), George Baker book, Chinese Drama Publishing 1985
"Story" (U.S.) of Robert McKee forward, China Film Press, 2001

Directing fundamental
Requisites: Nil
The course nature: Major courses
Main content: This course covers the film and television director, including the work of art, and film and television director of film and television director, such as: the creation of the traits and characteristics of the film and television director, film and television director's personal qualities and the quality of work, the basic scope of work in film and television director, and the appropriate division of labor, film and television director, working procedures and methods of work; using the screen element modeling and visual tension, and tension and expressive montage language (including different types of the montage language), to complete the basic description and presentation training.
Textbook: film director Art Tutorial Han Xiaolei, China Film Press, 2004
(U.S.), the technology and aesthetics of film and television director Michael Butler grid book, Beijing Broadcasting Institute Press, 2004
Bibliography: his film "(United States), Eric Sherman book, Guangxi Normal University Press, 2005
The film language syntax "(Uruguay) Danny Al Ali Hong forward, China Film Press, 1981
 
TV documentary production
Preparatory Courses: TV photography, film editing, news interview and writing
Nature of the course: Major course
Main content: this course covers the history and actuality of the Chinese and foreign documentaries, the evolvement and development of the documentary ideal, the main schools and aesthetics characteristics of documentary, the narrate trait and framework essentials of TV documentary, selection of a subject for TV documentary, the framework and shooting, the relation between sound and picture, earlier stage and post production. Through the practice to master the basic skills for TV documentary and well as the non-fiction film art. In addition, the course would train the students on independent production on TV documentary. 
Textbook: TV documentary production, Wu Baohe, Culture and Art publishing house, 1999
Development of Chinese documentary, Fang Fang, China drama Press, 2003
Bibliography: History of the world documentary, Eric Barnouw China film Press
Analects of TV documentary, Gao Feng, Xiao Ping, China international broadcasting publishing house, 1999
Documentary film literature, Chan Wanli, China film Press, 2000

Film directing theory and technique
Requisites: Nil
The course nature: Major courses
Main content: This course covers the film and television director, including the work of art, and film and television director of film and television director, such as: the creation of the traits and characteristics of the film and television director, film and television director's personal qualities and the quality of work, the basic scope of work in film and television director, and the appropriate division of labor, film and television director, working procedures and methods of work; using the screen element modeling and visual tension, and tension and expressive montage language (including different types of the montage language), to complete the basic description and presentation training.
Textbook: film director Art Tutorial Han Xiaolei, China Film Press, 2004
(U.S.), the technology and aesthetics of film and television director Michael Butler grid book, Beijing Broadcasting Institute Press, 2004
Bibliography: his film "(United States), Eric Sherman book, Guangxi Normal University Press, 2005
The film language syntax "(Uruguay) Danny Al Ali Hong forward, China Film Press, 1981

Planning for TV entertainment program
Requisites: Nil
The course nature: foundation course
Main contents: this course focuses on the theory and practice on TV entertainment program. Through on-class teaching, view and emulating, exercise and comments on exercise, the course would cover the development of the TV entertainment program, genre program, disciplinarian for production, design and planning, format of space, as well as the planning for variety show, quiz show, reality show, music TV show, entertainment interview, which would develop the students’ ability on planning and produce TV entertainment program.
Textbook:planning for TV entertainment program, Wu Baohe, culture and art publishing house,
Bibliography: Chinese TV literature and art, Zhang Fengzhu, Beijing broadcasting institute Press, 1999
Research on planning for TV entertainment program, Ren Jinzhou, China radio and television Press, 2002

Audio-visual language
Preparatory Courses: Nil
The course nature: Major courses
Main contents: requires students to understand and master the essential difference between film and television audiovisual language with general print media language, and the movie audio-visual language itself a behavioral and constitute law. At the same time, deconstruction requires students to read the solution to form the basic elements of the film art, as well as the film elements through integration in the overall sense of specific works, from the original language of the print media "literary" way of thinking, and guide the students for the corresponding sound and picture thinking "/" the establishment of the movie thinking ".
Textbook: Zhang Jing, film and television audiovisual language "Guan Ling book, Communication University of China Press, 2008
References: "Understanding Movies" (United States) Luis Jia within ladder forward, China Film Press, 1997
Elements of the "movie" (United States) Lee R • Bo Buke book, China Film Press, 1986
"Film language" of Lu Tao forward, Shaanxi People's Fine Arts Publishing House 2003